News
Joint Doctoral Seminar Art History # 1 with Hans Beltins as keynote
28.11.13
Esther Tuypens will present her PhD research project at the Joint Doctoral Seminar # 1 for doctoral students in art history of the 20th and 21st centuries.
9th Seminar on the History and Origins of Cinema in Girona, Spain
14.11.13
Vito Adriaensens will be presenting a paper at the "9th Seminar on the History and Origins of Cinema: Objectivity and the Effects of Truth, Early Cinema and the Realist Tradition," 14-15 November at the University of Girona, Spain
New publications on Jan Fabre
13.11.13
Jan Fabre: Esthétique du Paradoxe discusses the interplay between the visual arts and performing arts in the work of Fabre
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Index // People Projects Recent Publications Events & Symposia
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A MILLION PICTURES: Magic Lantern Slide Heritage as Artefacts in the Common European History of Learning
A
A BODY OF KNOWLEDGE: Research on Artistic Methodology
A STAGE FOR THE WORLD: Towards an Inclusive Theatre Experience.
ADRIAENSENS Vito
ALLEGORISING GERARD TER BORCH : Research, Appropriation and the Baroque Impulse in the Work of Karin Hanssen
ARCHIVE AS PERFORMANCE, Performance as Archive
ARM THEATER IN EEN GOUDEN TIJD
ARNE SIERENS ARTISTE URBI ET ORBI: du mélodrame au mélo
ARTAUD AND FABRE
AVANT-GARDE HERITAGE: Three Concepts of Ritualism for the Performing Arts
B
B-MAGIC. The Magic Lantern and its Cultural Impact as Visual Mass Medium in Belgium (1830-1940)
Book presentation: HET STATUUT VAN DE TEKST IN HET POSTDRAMATISCHE THEATER
BOURGEUS Camille
BROUWERS Anke
BUILDING GARMENTS: Researching Fashion Design through Architecture
C
CASSIERS Edith
CHOREOGRAPHIC HISTORIES: Time, Space and Movement in Postwar Japan
colloquium: DIGGIN THE FUTURE
Colloquium: THINKING BODIES – MOVING MINDS
CONSTRUCTION OF A THEATRE HERITAGE TEST LIST within the framework of the Masterpiece Flemish Parliament Act (completed)
CORPUS JAN FABRE Observations of a creative process
CROIS Elvira
CROMBEZ Thomas
D
DANCING METAMEMORIES
DE BINNENKANT VAN HET BEELD. Een kunsthistorisch onderzoek naar immersie, theatraliteit en ervaring
DE BINNENKANT VAN HET BEELD. Immersie en theatraliteit in de kunsten
DE DOOD VAN EMPEDOKLES / DER TOD DES EMPEDOKLES
DE FRANCESCO Alessandro
DE LAET Timmy
DE REGT Danielle (till 2011)
DE SOMVIELE Charlotte
DEALING WITH THE GHOST : Phantasmagorical Apparitions of Bertolt Brecht
DEEP TIME OF THE THEATRE. Archaeology/Technology of the Senses
DEMASURE Ruben
DIGITAL LANDSCAPES. The Meta-Picturesque Qualities of Kurt D’Haeseleer’s Audiovisual Sceneries
E
EXPLORING THE MULTIPLE in a cinema of attractions
F
FAST FORWARD? Reflections on Fashion and Modernity
FEELING THROUGH THE EYES: the Legacy of Sentimentalism in Silent Hollywood: the Films of Mary Pickford and Frances Marion
FLEMISH THEATER AFTER WORLD WAR II
FOR A CANON OF MOMENTS
FROM NEW STAGECRAFT TO NEW CINEMA: Silent Film Performs the Avant-Garde
FROM PHOTOGÉNIE TO CINEPHILIA 2.0
G
GEERTS Katja
H
HANSSEN Karin
HET GEOPENDE LICHAAM. Verzamelde opstellen over Jan Fabre
HET STATUUT VAN DE TEKST in het Postdramatische Theater
HILLEN Sabine
HOET Ciska (till 2012)
I
INSIDE THE IMAGE. Immersion, Theatricality and Narrative in Performance and Media Art (completed)
J
JACOBS Steven
JAN FABRE AND TG STAN: Two Models of Postdramatic Theatre in the Avant-Garde Tradition
JAN FABRE Esthétique du paradoxe
JANSEN Sara
JONCKHEERE Evelien
K
KINO EYE #10: Spectral Illusions: Showing Ghosts Everywhere, and of any Colour
KNOOPS Rudi
L
LANGUAGE ART
LE MÉLODRAME FILMIQUE REVISITÉ / Revisiting Film melodrama
LE ROY Frederik
Lecture: THE FACTORY OF THEATRE. STAKES AND PARADOXES
LENK Sabine
LUDDITE INTERVENTIONS : On the Poetics of Catastrophe and the Art of Criticism
M
MAJSOVA Natalija
MAKING A SCENE: Sentimentalism in the Silent Cinema of Mary Pickford and Frances Marion (completed)
MASS SPECTACLE IN FLANDERS 1909-1955: A historical, Discursive, and Political Examination of Sociotheatrical Events (completed)
MASS THEATRE in Inter-war Europe Flanders and the Netherlands in an International Perspective
MATERIAL MATTERS: Towards a New Materialist Approach to Contemporary Performance Art.
MOVEMENTS OF DISCOVERY: the Pragmatics of Practice-Based Research
MOVING MEMORIES. Contemporary Dance in Dialogue with Memory and History.
O
OCCUPY ANTIGONE? Tradition, Transition and Transformation in Performance
ON THE NATURE OF CROWDS
OPTIMIZATION OF THE EXPRESSIVE POWER OF ACTORS / DANCERS on the Basis of the Method of Biological Acting
P
PARISIANA. ETHERISCH STRIJKERSENSEMBLE
PAULUS Tom
PERFORMING PHENOMENOLOGY: Negotiating Presence in Intermedial Theatre
PERFORMING TEMPORALITIES: Research on the Aesthetic and Discursive Status of Delay and Slow Motion
PORTELA Patrícia
PRESENCE, CHARISMA AND PERFORMANCE. Spring Academy with Hans Ulrich Gumbrecht
Q
QUELQUES NOTES sur l'acteur-danseur dans le théâtre de Jan Fabre
R
RE-INVENTING THE PAST. Re-enactment in Contemporary Dance and Performance Art
RESTORING GESTURES: Exploring Aby Warburg’s Method for Theater Studies
RITUAL AND THE AVANT-GARDE
ROELS Lieze
ROOFTHOOFT Hanne
RUBENS NIGY NIE UZUWAL ZIELENI : emocjonane przesunieçia w tworczorsci jana lauwersa
S
SALON XL: LOÏE FULLER “UNRAVELING AN ICON"
SILVRANTS-BARCLAY Els (till 2012)
SLAPSTICK COMEDY
SPECTACULAR ASTRONOMY: historical and experimental explorations into the visual and spatial experience of planetariums, 19th-21st centuries
STAGING THE SILENTS: Theatrical and Pictorial Strategies at Gaumont and Nordisk (1908-1914)
Symposium: A POETICS OF PERFORMANCE Herman Teirlinck's Theory of Acting
Symposium: JUST-NOTICEABLE DIFFERENCES: The Cinema of Hou Hsiao-Hsien
symposium: THE OPTICS OF ART
T
THE AUTOETHNOGRAPHY OF CREATIVE DESIGN: From Medium to Shift
THE BORROWED GAZE. Book publication
THE BORROWED GAZE. Research of the Use of Displacement in Time and Space of the Photographical Image of the Past in the Paintings of Karin Hanssen
THE DIDASCALIC IMAGINATION: Contemporary theatrical notebooks as genetic documents of the artistic process
THE NEW MOTHER: Maternal Instinct as Sexual Liberation in Victor Sjöström's **The scarlet letter** (1926)
THE OPTICS OF PERFORMANCE. An Archaeological Approach to Intermediality in Theatre and Performance
THE STATUS OF THE (RE)TRANSLATED INTERTITLE in the Restoration and Presentation of Silent Film (completed)
THEATER. A WESTERN HISTORY
THEATRE WITHOUT CONTINUITY: The Text in Postdramatic Performance Arts
TICKLE YOUR CATASTROPHE! Imagining Catastrophe in Art, Architecture and Philosophy
TOWARDS A NEW CRITICAL REALISM. The critical realist cinema of Wang Bing.
TUYPENS Esther
TWO-FOLD ORIGIN : Performing Hybrids between Theatre and Media
V
VAN BAARLE Kristof
VAN DEN DRIES Luk
VANHOUTTE Kurt
VERHOEVEN Benjamin
VERSCHUEREN Alexandra
W
WAGNER IN ANTWERP (1972-1987), an Inquiry into Opera Staging.
WÃœHLEN IN ARCHIVEN. [To Dig in the Archives]
WHO'S AFRAID OF THE BIG BAD MEMORY? A re-enactment from stage to page (and back again)
WILLEMS Gertjan
WOG Spektakelcultuur / Culture of spectacle
workshop SPECTACULAR ASTRONOMY / L'ASTRONOMIE SPECTACULAIRE
workshop THE MAGIC LANTERN TODAY: Creative Re-Use of Cultural Heritage
workshop: THE TRAVELLING LANTERN. Mobility and migration in the (trans)national practice of the magic lantern.
WYNANTS Nele
Y
YES WE CANON! A Discursive Analysis of Canon Debates in Post-war Flemish Theatre (1945-2010)

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